BA (Hons) Music (Durham University, 1985)
PhD Music (Durham University, 1992)
ISM Diploma in Management (Queen’s University, Belfast, 1994)
Basic Proofreading by Distance Learning (PTC, 2015) (Merit)
Proofreading 2 (SfEP, 2016)
Editing in Word (SfEP, 2016)
Progress in Editorial Skills (PTC, 2017)
Freelance proofreader and copy-editor since 2015, working primarily in non-fiction and academic material.
Books, magazines, research documents, policy papers, online material, theses and dissertations, arts/music publicity materials & programmes, music scores.
Proofreading (text), proofreading (music), copy-editing, copywriting.
Music, the arts, academic writing (humanities), public policy, management, leadership, business and corporate work.
Classical music (all periods), electroacoustic and computer music, opera, choral music, jazz, arts management, arts funding policy, concert promotion.
Taylor & Francis, Out of House Publishing, Queen’s University Belfast, Full Proof, Genesis Design, Royal Scottish National Orchestra, Belfast Music Society, Acis Productions, ClarityEnglish, individual academics and research students.
Macken: Binding Space: The Book as Spatial Practice (Routledge, 2018)
Labuta and Matthews: Basic Conducting Techniques (Routledge, 2018)
Stillwell (ed.): The Routledge Handbook of Census Resources, Methods and Applications (Routledge, 2017)
In Sara Levy’s Salon (The Raritan Players, Acis Productions, 2017)
Fanfare and Filigree (Kleine Kammermusik, Acis Productions, 2017)
Confluence (Ensemble Collina, Acis Productions, 2017)
10 Festival programmes for the BMS International Festival of Chamber Music (2009–present)
Corporate marketing materials for Ford Masters Apprenticeship Programme, Olam Cocoa, Queen’s University Belfast and others
Online examination papers (ClarityEnglish, 2016)
numerous articles for InTheSnow magazine; Corporate Plan 2013–2016 (Belfast Music Society)